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https://w.atwiki.jp/7753sweet/pages/5.html
お知らせ 伝言板のページを削除しました。 2014/2/5 重要（？）なお知らせ え～、みなさんこんにちは。7753sweetです！ 重要でもないけど見ておいたほうがいいお知らせをしますね。 え～、私も1/8（水）に新学期が始まる為に、このブログの更新スピードが遅くなります！！ ほんっとにゴメンナサイ！ｍ(_ _)ｍ 週1くらいのペースになります。 ご迷惑おかけします。 7753sweet 2014/1/7
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Zero-Weighted Trackers ゼロウエイトトラッカー あまり自信がない特徴があったと想像してください、それがカメラ（またはオブジェクト）パスと視野に影響を及ぼすことをまったく望みませんでした。しかし、とりあえずそれをトラッキングしたくて、何を得るのか見たかったとします。 木の上の葉の全てかもしれないし、ラフな雲を得ることを望むかもしれません。 トラッカーを取得することができ、解析のウェイトをゼロまで下げてみることができました。 しかし、ウェイトは0.05の下限があるので、それは失敗します。 ウェイトが減少する、そして、トラッカーがだんだん少なく影響があって、若干の好ましくない副作用があるので、SynthEyesはそれを防ぎます。 その代わりに、トラッカー・パネルのゼロウエイトトラッカー（ZWT）ボタンをクリックすることができます。すると、それはウェイトをゼロにセットします（内部的に）。 好ましくない副作用は回避されます、そして、新しい可能性が出てきます。 ZWTsは解析（ビューと通常のトラッカー場所のカメラまたはオブジェクト・パスとフィールド）に影響を及ぼさないで、最初の解析が得られるまで解析されることはありません。 ZWTsは、ノーマル解析の結果において３Ｄの位置をもたらすために解析されます。 Tip 別々の選択カラーが、ZWTsのためにあります。 それが通常他のトラッカーと同じ色であるけれども、ZWTsが自動的に目立つことを望むならば、それを変えることができます。 重要なことに、それらの２次元のトラッキング、カメラ（またはオブジェクト）パスまたは視野を変えるときはいつでも、ZWTsは自動的に再解析されます。 ZWT解析が全体的な解析に影響を及ぼさないので、これは可能です。 それは、新しいポストを解析しているワークフローを可能にします。 Solve As You Track After solving, if you want to add a tracker, create it and change it to a ZWT (use the W keyboard accelerator if you like). Keep the Quad view open. Begin tracking. Watch as the 3-D point leaps into existence, wanders around as you track, and hopefully converges to a stable location. As you track, you can watch the per-frame and overall error numbers at the bottom of the tracker panel Hop over to thegraph editor, and take a quick look at the error curve for any spikes—since the position is already calculated, the error is valid. Once you’ve completed tracking,change the tracker back to normal mode. Repeat for additional new trackers as needed. You can use the same approach modifying existing trackers, temporarily shifting them to ZWTs and back. When you do your next Refine cycle using the Solver panel, the trackers will be solved normally, and influence the solution in the usual way. But, you were able to use the ZWT capability to help do the tracking better and quicker. Juicy Details ZWTs don’t have to be only on a camera, they can be attached to a moving object as well. You can also configure Far ZWTs. The ZWT calculation respects the coordinate system constraints you can constrain Z=0 (with On XY Plane) to force a ZWT onto the floor in Z-up mode. A ZWT can be partially linked to another tracker on the same camera or object. It doesn’t make sense to link to a tracker on a different object, since such links are always in all 3 axes, overriding the ZWT calculation. Distance constraints are ignored by ZWT processing. If you have a long shot and a lot of ZWTs and must recalculate them often (say by interactively editing the camera path), it is conceivable that the ZWT recalculation might bog down the interactive update rate. You can temporarily disable ZWT recalculation by turning offtheTrack/ZWT auto-calculationmenu item. They will all be recalculated when you turn it back on. Adding Many More Trackers After you have auto-tracked and solved a shot, you may want to add additional trackers, either to improve accuracy in a particular area of the shot, or to flesh out additional detail, perhaps beforebuilding a mesh from tracker locations. SynthEyes provides a way to do this efficiently in a controlled manner, with theAdd Many Trackers dialog. This dialog takes advantage of the already-computed blips and the existing camera path to identify suitable trackers it is the same situation as Zero-Weighted-Trackers (ZWTs), and by default, the newly-created trackers will be ZWTs—they do not have to be solved any further to produce a 3-D position, since the 3-D position is already known. Important you must not have already hitClear All Blipson theFeature panel orClean Up Trackersdialog, since it is the blips that are analyzed to produce additional trackers. The Add many trackers dialog, below, provides a wide range of controls to allow the best and most useful trackers to be created. You can run the dialog repeatedly to address different issues. You can also use theCoalesce Nearby Trackersdialog to join multiple disjointed tracks together the sum is greater than the parts! When the dialog is launched from the Track menu, it may spend several seconds busily calculating all the trackers that could be executed, and it saves that list in a temporary store. The number of prospective trackers is listed as the Available number, 2754 above. By adjusting the controls on the dialog, you control which of these prospective trackers are added to the scene when you push the Add button. At most, theDesirednumber of trackers will be added. Basic Tracker Requirements The prospective trackers must meet several basic requirements, as described in the requirements section of the panel. These include a minimum length (measured in frames), and an amplitude, plus average and peak errors. The amplitude is a value between zero and one, describing the change in brightness between the tracker center and background. Larger values will require more pronounced trackers. The errors numbers measure the distance between the 2-D tracker position and the computed 3-D position of the tracker, mapped back into the image. The average error limits the noisiness and jitter in the trackers, while the peak error limits the largest “glitch” error. Notice that these controls do not change any trackers, but instead select which of the prospective trackers are actually selected for addition. To a Range of Frames To add trackers in a specific range of frames in the shot, set up that region in the Frame-Range Controls from a starting frame to an ending frame. Then, set a minimum overlap how many frames each prospective tracker must be valid, within this range of frames. For example, if you have only a limited number of trackers between frames 130 and 155, you would set up those two as the limits, and set the minimum overlap to 25 at most, perhaps 20. To an Area in 3-D Space To add trackers in a particular 3-D area of the scene, open the camera view, and go to a frame that makes the region needing frames clearly visible. Lasso the region of interest—it does not matter if there are any trackers there already or not. The lassoed region will be saved. (Fine point the frame number is also saved, so it does not matter if you change frames afterwards.) Open the Add many trackers dialog, and turn on theOnly within last Lassocheckbox. The only trackers selected will be those where the 3-D point falls within the lassoed area, on the frame at which the lasso occurred. Zero-Weighted vs Regular Trackers Once all the criteria have been evaluated, and a suitable set of trackers determined, hitting Add will add them into the scene. There are several options to control this (which should be configuredbeforehitting Add). The most important decision to make is whether you want a ZWT or a regular tracker. Intrinsically, the Add many trackers dialog produces ZWTs, since it has already computed the XYZ coordinates as part of its sanity-checking process. By using ZWTs, you can add many more trackers without appreciably affecting the re-solve time if you later need to change the shot. So using ZWTs is computationally very efficient, and is an easy way to go if you need more trackers to build a mesh from. On the other hand, if you need additional trackers to improve the quality of the track, by adding more trackers in an under-populated region of 3-space or range of frames, then adding ZWTs will not help, since they do not affect the overall camera solution. Instead, check the Regular checkbox, and ordinary trackers will be created, still pre-solved with their XYZ coordinates. You can solve again using Refine mode, and the camera path will be updated taking into account the new trackers. If you add hundreds or thousands of regular trackers, the solve time will increase substantially. Designed for the best camera tracking, SynthEyes is most efficient for long shots, not for thousands of trackers. To see why this choice was made, note that even if all the added trackers are of equal quality, the solution accuracy increases much slower than the rate trackers are added. You can use some of the trackers for the solve, and keep the rest as ZWTs. Other New Tracker Properties Normally, you will want the trackers to be selected after they are added, as that makes it easy to change them, see which were added, etc. If you do not want this, you can turn off theSelectedcheckbox. Finally, you can specify a display color for the trackers being added by selecting it with the color swatch, and turning on theSet colorcheckbox. That will help you identify the newly-added trackers, and you can re-select them all again later using theSelect same coloritem on the Edit menu. It may take several seconds to add the trackers, depending on the number and length of trackers. Afterwards, you are free to add additional trackers to address other issues if you like—the ones already added will not be duplicated. Coalescing Nearby Trackers Now that you know how to create many more trackers, you need a way to combine them together intelligently. Whether you use the Add Many More Trackers panel or not, after an autotrack (or even heavy supervised tracking) you will often find that you have several trackers on the same feature, but covering different ranges of frames. Tracker A may track the Red Rock for frames 0-50, and Tracker B may also track Red Rock from frames 55-82. In frames 51-54, perhaps an actor walked by, or maybe the rock got blurred out by camera motion or image compression. It is more than a convenience to combine trackers A and B. The combined tracker gives SynthEyes more information than the two separately, and will result in a more stable track, less geometric distortion in the scene, and a more accurate field of view. (Exception if there is much uncorrected lens distortion, you are better off with consistently short-lived trackers.) The Coalesce Nearby Trackers dialog, available on the Tracker menu, will automatically identify all sets of trackers that should be coalesced, according to criteria you control. When you open the dialog, you can adjust the controls (described shortly) and then click the Examine button. SynthEyes will evaluate the trackers and select those to be coalesced, so that you can see them in the viewports. The text field, reading “(click Examine)” in the screen capture above, will display the number of trackers to be eliminated and coalesced into other trackers. At this point, you have several main possibilites 1. clickCoalesceto perform the operation and close the panel; 2. adjust the controls further, andExamineagain; 3. close the dialog box with the close box (X) at top right (circle at top left on Mac), then examine the to-be-coalesced trackers in more detail in the viewports; or 4. Cancelthe dialog, restoring the previous tracker selection set. If you are unsure of the best control settings to use, option 3 will let you examine the trackers to be coalesced carefully, zooming into the viewports. You can then open the Coalesce Nearby Trackers dialog again, and either adjust the parameters further, or simply click Coalesce if the settings are satisfactory. What Does Nearby Mean? The Distance, Sharpness, and Consistency controls all factor into the decision whether two trackers are close enough to coalesce. It is a fairly complex decision, taking into account both 2-D and 3-D locations, and is not particularly amenable to human second-guessing. The controls are pretty straightforward, though. As an aside, it might seem that all that is needed is to measure the 3-D distance between the computed tracker points, and coalesce them if the points are within a certain distance measured in 3-D (notin pixels). However, this simplistic approach would perform remarkable poorly, because the depth uncertainty of a tracker is often much larger than the uncertainty in its horizontal image-plane position. If the distance was large enough to coalesce the desired trackers, it would be large enough to incorrectly coalesce other trackers. Instead, SynthEyes uses a more sophisticated and compute-intensive approach which is evaluated over all the active frames of the trackers. The first and most important parameter is theDistance, measured in horizontal pixels. It is the maximum distance between two trackers that can be considered for coalescing. If they are further apart than thisin all frames, they will definitely not be coalesced. If they are closer, some of the time, they may be coalesced, increasingly likely the closer they are. The second most important parameter, theConsistency, controls how much of the time the trackers must be sufficiently close, compared to their overall lifetime. So very roughly, at 0.7 the trackers must be within the given distance on 70% of the frames. If a track is already geometrically accurate, the consistency can be made higher, but if the solution is marginal, the consistency can be reduced to permit matches even if the two trackers slide past one another. The third parameter,Sharpness, controls the extent to which the exact distance between trackers affects the result, versus the fact that they are within the required Distance at all. If Sharpness is zero, the exact distance will not matter at all, while at a sharpness of one (the maximum), if the trackers are at almost the maximum distance, they might as well be past it. Sharpness can be used to trade off some computer time versus quality of result a small distance and low sharpness will give a faster but less precise result. Settings with a larger distance and larger sharpness will take longer to run but product a more carefully-thought-out result—though the two sets of results may be very similar most of the time, because the larger sharpness will make the larger distance nearly equivalent to the smaller distance and low sharpness. If you are handling a shot with a lot of jitter in the trackers, due to large film grain or severe compression artifacts, you should decrease the sharpness, because those small differences in distance are in fact meaningless. What Trackers should be Coalesced? Three checkboxes on the coalesce panel control what types of trackers are eligible to be coalesced. First, you can request thatOnly selected trackersbe coalesced. This allows you to lasso-select a region where coalescing is required. (Note if you only need 2 particular trackers coalesced, for sure, use Track/Combine Trackers instead.) Second, frequently you will only want to coalesce auto-trackers, or trackers created by theAdd Many Trackersdialog. By default, supervised non-zero-weighted trackersare not eligible to be coalesced. This prevents your carefully-constructed supervised trackers from inadvertently being changed. However, you can turn on theInclude supervised non-ZWT trackerscheckbox to make them eligible. SynthEyes will also generally coalesce only trackers that are not simultaneously active for example, it might coalesce two trackers that are valid on frames 0-10 and 15-25, respectively, but not two trackers that are valid on frames 0-10 and 5-15. If both are autotrackers, if they are simultaneously active, they are not tracking the same thing. The exception to this is if they are a large autotracker and a small one, or an autotracker and a supervised tracker. To combine overlapping trackers, turn off theOnly with non-overlapping frame rangescheckbox. A satisfactory approach might be to coalesce once with the checkbox on, as is the default, then open the dialog again, turn the checkbox off, and Examine the results to see if something worth coalescing turns up. An Overall Strategy Although we have talked as if SynthEyes only combines two trackers, in fact SynthEyes considers all the trackers simultaneously, and can merge three or more trackers together into a single result in one pass. It is possible that coalescing immediately a second time may produce additional results, but this is probably sufficiently rare to make it unnecessary in routine use. However, after you coalesce trackers, it will often be helpful to do aRefine solving cycle, then coalesce again. After the first coalesce, the refine cycle will have an improved geometric accuracy due to the longer tracker lifetimes. With the improved geometry, additional trackers may now be stable enough to be determined to be tracking the same feature, permitting a coalesce operation to combine them together, and the cycle to repeat. Viewing this pattern in reverse, observe that a broader distance specification will be required initially, when trackers on the same feature may be calculated at different 3-D positions. This is particularly relevant togreen-screen shots, where the comparatively small number of trackable features and their frequently short lifetime, due to occlusion by the actors, can result in higher-than-usual initial geometric inaccuracy. Because the green-screen tracking marks are generally widely separated, there is little harm in increasing the allowable coalesce Distance. The features can then be coalesced properly, and the Refine cycle will then rectify the geometry. The process can be repeated as necessary. If you are using Add Many Trackers and then Coalescing and refining, you should turn on theRegular, not ZWTcheckbox on the Add Many dialog, so that the added trackers will affect the Refine solution.
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FLASHいけたらいいなーｗ ref(mir.gif）
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難易度表/かんたん/Sweet Lay 旧譜面は136コンボ、新譜面は99コンボ。 - 2010-12-31 18 35 42 旧譜面だと8分の2連打があり4箇所や4分の複合があり、詐称候補。下手な★5より難しいので要注意。新譜面だと4分の複合がないので、逆詐称候補。4分は単色とみ。 - 2010-12-31 18 38 39
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戦慄の輪舞曲 COMMAND C-026 青 発生 青/黒 2-2-0 U (戦闘フェイズ) カード1枚が得ているプラスの戦闘修正を、このターン、無効にする。 ♪(戦闘フェイズ) カード1枚が得ている、*とマイナスの戦闘修正を、このターン、無効にする。 特徴 支配 歌 出典 「マクロス7」 1994 戦闘修正を無効にする歌。二通りの使い方がある。 一つは、上段効果を敵軍ユニットや敵軍キャラに適用する使い方。これによって敵軍ユニットは素の戦闘力のみで戦闘を行う事となる為、圧倒的優位に立てる。 もう一つは、下段効果を自軍ユニットや自軍キャラに適用する使い方。突然愛・おぼえていますかや星間飛行などで戦闘力を下げられるor*にされると言った状況でも戦闘力が復活する。 また、どちらも「このターン」の一文がある為、この効果の解決後に得た戦闘修正も無効となる。なので、(なかなか無い事ではあるが)前もって解決しておいて奇襲に備える、と言った使い方も出来る。 このカードは、一旦戦闘修正を受けてから無効にする、という処理をする。その為、例えば下段効果を自軍ユニットに適用した状態で、そのユニットの防御力を越えるマイナスの戦闘修正を受けた場合、そのユニットは破壊される。その後、マイナスの戦闘修正は無効となるので、本来なら出来ない破壊無効も使用する事が出来る。
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「あ、あの…私たちも、チョコレート…作ったんです。あの、食べてください…」 「兄ちゃん兄ちゃん！たまも作ったんだよー！甘くておいしいよ！食べて食べて！」 そう、今日はバレンタイン。私、ぽちもお兄ちゃんに無事チョコをプレゼントできました。 …ちゃんと味わって食べてくださいね？ ―――――――――――――――――――― 「姉ちゃん、姉ちゃん、ばれんたいんてなぁに？なんでチョコ作るの？」 お兄ちゃんがいつも通り学校に行った後、妹のたまを連れて台所に行きます。 今日はバレンタインなのでお兄ちゃんにチョコを作ってプレゼントしてみようとおもいます。 「バレンタインって言うのはね、大好きな人にチョコレートをあげて想いを伝える日なの。一緒にお兄ちゃんにチョコを作りましょう」 「おー、たまもお兄ちゃん大好きだからチョコ作るよー！」 というわけでたまも一緒にチョコ作り。湯煎で溶かして、型に入れて。ちゃんと失敗なく作れました。 冷蔵庫で冷え固まったチョコを見て満足です。包装も準備してあるし、あとはお兄ちゃんが帰ってくるのを待つだけ… 「ただいまー！」 あ、お兄ちゃんが帰ってきました。たまと一緒にお出迎えです。 …あれ？ 「こんにちは～、ぽちちゃん、たまちゃん」 「こ…ぁ…こんにち、ゎ…」 お兄ちゃんの後ろから桃さんとアイカさん。これじゃすぐには渡せないですね。まぁ、お友達が遊びに来るのも楽しくて好きです。 「こんにちは！今日は遊びに来られたんですか？」 「おー！桃ちゃんとアイカちゃんだー！こんにちはー！」 「あぁ、ちょっと用があるらしくて来てもらったんだ。ま、上がりなよ」 そう言って居間のソファに向かうお兄ちゃん。桃さんも後を追います。 「で、間宮、用ってなんだったの？」 「うん、あのね～バレンタインだからチョコ作って来たの～」 え！？桃さんもなんですか！？桃さんもお兄ちゃんのこと好きだったんですか…？ 「え！いいのか？悪いな、わざわざ作ってくれたりして！いやぁ、バレンタインにチョコなんて久しぶりだなぁ、ありがとな」 なんでそんなにデレデレしてるんですか？うぅ…なんだか… 「お兄ちゃん…ぅえぇん…」 気付いたときには泣いちゃったみたいです…恥ずかしいからお部屋に走って行って… なんだかお兄ちゃん達が話してるのが聞こえます。 あれ？こっちに誰か… 「ぽち！」 バタン！とドアを開けて入ってきたのはお兄ちゃんでした。 「ごめんな、俺お前の事考えてやれてなかったよな…」 お兄ちゃんが体育座りで泣いてた私を撫でてくれました。 「…ぐすっ、違うんです、悪いのは私です…勝手に桃さんに嫉妬して、お兄ちゃんがデレデレしてて、淋しくて、ふぇ…」 また泣いちゃいました。でも、お兄ちゃんは私を抱き上げて頭を撫でてくれました。 そのまま5分か10分か…泣いて… 「じゃ、居間行こうか。みんな心配してるよ」 「はい、あの…ありがとう…」 そう言ってお兄ちゃんと2人で居間に戻りました。すると桃さんが、 「なんだかごめんね、ぽちちゃん。でもね、私のお友達チョコだから心配しなくても大丈夫だよ～」 そう言ってくれました。なんだ、私の早とちりだったんですね。そうわかったら恥ずかしくてなんだか顔が赤くなっていくのが自分でもわかりました。 たまもニヤニヤしながら見てるし。うぅ。 それから桃さんはいわゆる"友チョコ"を私とたまにもくれました。あ、このチョコ作るのアイカさんも手伝ったらしいです。 その後少しお話してから桃さん達が帰るのを見送ってから、私はお兄ちゃんに居間にいてくれるようお願いして、たまとチョコを取りに行きました。 「兄ちゃん喜んでくれるといーねー！」 「喜んでくれるよ、私たちの、その…愛が詰まってるんだもの！」 言ってちょっと恥ずかしかったです。 いろいろあったけど、やっと私たちのチョコレートをプレゼント。 「あ、あの…私たちも、チョコレート…作ったんです。あの、食べてください…」 「兄ちゃん兄ちゃん！たまも作ったんだよー！甘くておいしいよ！食べて食べて！」 そう、今日はバレンタイン。私、ぽちもお兄ちゃんに無事チョコをプレゼントできました。 …ちゃんと味わって食べてくださいね？
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曲データ Lv タイトル アーティスト ジャンル BPM TOTAL NOTES TOTAL値 判定 ★06 ★SweeT DiscoverY★ (AFOTHER) 傾向 ダウンロード (曲へのリンク) (差分へのリンク) 動画 コメント 名前 コメント
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歩きつかれて ふりだす雨 つかみそこねた あの大きな手 あなたの目は 透きとおるみどりの 海の底に息づいてる星 わたしを呼んで 呼んで ここにいるよ どこへ行けば 行けば とりもどせるの？ 家へ帰ろう 今度こそは 大丈夫って笑いあえるよ 名前を呼んで 呼んで 抱きしめてよ 思い出を 紡ぎ直そう 幼い頃 本当の強さを あなたが教えてくれた 哀しい気持ちだってさ すぐ忘れられたから こわくないよ 気がつかないまま 反抗して わたしはいつか 大人になった 恥をかいて 汗をかいて この星に懸けて戦う理由 魂 焦がして 焦がして 叫んでるよ 開いていけば いけば 救われるの 家へ帰ろう 星の十字 一巡後も逢いましょう 帰ろう 全て終われば 心から 笑っていられるから わたしを呼んで 呼んで 抱きしめるよ い出して 目を開けて 幼い頃 歩きつかれて ふりだす雨 つかみそこねた あの温かい手 あなたの目は 透きとおるみどりの 海の底に息づいてる星 名前を呼んで 呼んで ここにいるよ 心に言えば 言えば 満たされるの 原曲【HOME SWEET HOME/YUKI】 元動画URL【http //www.nicovideo.jp/watch/sm18638571】
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2003年7月OVA発売開始。 監督 新房昭之 原作 JANIS、ivory、都築真紀 脚本 都築真紀 キャラクターデザイン 石野聡 メカ・小物デザイン 村田護郎 美術監督 渋谷幸弘、片平真司 美術設定 大原泰志、反田誠二、島津あゆみ、片平真司 色彩設計 田崎智子 撮影監督 森下成一 編集 関一彦 音響監督 亀山俊樹 音響効果 庄司雅弘 録音調整 大坪恵美 音楽 佐野広明 アニメーションプロデューサー 上村修 アニメーション制作 セブン・アークス 脚本 都築真紀 絵コンテ 斉藤哲人 新留俊哉 しまづ聡行 大沼心 演出 草川啓造 雄谷将仁 大沼心 作画監督 千葉道徳 金子誠 緒尾佐和 高鉾誠 ■関連タイトル DVD とらいあんぐるハート~Sweet Songs Forever~#1 とらいあんぐるハート~Sweet Songs Forever~サウンドステージVA とらいあんぐるハート3‐Sweet Songs Forever‐ビジュアルファンブック Windows とらいあんぐるハート3 ~Sweet Songs Forever~
https://w.atwiki.jp/unturned/pages/192.html
Red Dot Sight（レッドドットサイト）は、軍事関係の場所で発見できます。 ver3.x以降 バレル 標準搭載(内部データ) Bow Barrel/Crossbow Barrel/Honeybadger Barrel/Matamorez Barrel 非標準搭載 Makeshift Muffler / Ranger Suppressor / Military Barrel / Military Muzzle / Military Suppressor サイト 標準搭載 Bluntforce Iron Sights / Compound Iron Sights / Crossbow Iron Sights / Dragonfang Iron Sights / Eaglefire Iron Sights / Grizzly Iron Sights / Hawkhound Iron Sights / Heartbreaker Iron Sights / Honeybadger Iron Sights / Maplestrike Iron Sights / Matamorez Iron Sights / Nykorev Iron Sights / Peacemaker Iron Sights / Rifle Iron Sights / Rocket Iron Sights / Sabertooth Iron Sights / Schofield Iron Sights / Shadowstalker Scope / Snayperskya Iron Sights / Sportshot Iron Sights / Timberwolf Iron Sights / Viper Iron Sights / Yuri Iron Sights / Zubeknakov Iron Sights 非標準搭載 Makeshift Scope / Red Kobra Sight / 7x Scope / 8x Scope / 16x Scope / Red Dot Sight / Red Halo Sight / Red Chevron Scope / Red Cross Scope グリップ Horizontal Grip / Vertical Grip / Bipod タクティカル Tactical Light / Tactical Laser / Rangefinder / Adaptive Chambering ver2.2.5 +... バレル Muffler / Flash Hider / Suppressor サイト Zoomomatic / Binoculars / Red Dot Sight / Holographic Sight / Half Circle RailPlanar Track Rail / Dual Component Rail / Full Circle Rail / 6x Zoom Scope / 7x Zoom Scope / 12x Zoom Scope / 20x Zoom Scope タクティカル Tactical Light / Tactical Laser / Bayonet / Bipod / Angle Grip / Vertical Grip